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In "states of mind" work, Stefano Bernardoni tries to
face an argument of difficult approach, to tell about himself using
both the photography and the reproduction of a photocopier.
Stefano in this way introduces himself towards an introspection
and analysis of some states of mind, using parts of his body,
modified by the movement of the photocopier itself.
In order to develop these images, he has rubbed the sensitive
paper with his fingers wet of chemical in his darkroom, in attempt
to imprint his states of mind also outside the photographic release.
(1999)
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Versione
italiana
